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During
the winter and spring of 2003, John completed work rewiring the
video portion of the equipment racks in the television control room.
All of the old video cables were replaced with new color-coded coax
lines which John hand-crimped, also installing two video patch panels
to provide greater flexibility in studio productions. In the Spring
of 2003, the department took receipt of a new news set, generously
donated by WTVG-13 ABC.
Over the summer of 2003, John and his colleagues Don Reiber and
Tom Osswald dismantled the old production set in the studio, reconfigured
it at the opposite corner of the studio, and rebuilt the new set
from Channel 13, giving students two sets to work with.
Early
in the summer of 2003, John and Don began the task of rebuilding
a large portion of the consoles in the remote production truck in
order to create a separate room for audio, and a new desk for the
trucks Chyron. At the same time that
they were physically rebuilding a great deal of the structure inside
the truck, John and Don also replaced most of the video wiring,
allowing the installation of a number of new video monitors at the
directors console.
At the same time, John undertook the arduous task of rewiring all
of the trucks audio. All of the old audio lines running from
the rear of the truck to the audio console were removed, and new
audio snakes were installed, providing a total of 64 audio lines
between the back of the truck and two new patch panels in the audio
rack. During the project, the department decided to purchase a new
Soundcraft Series 2 24-channel audio console, which John installed
and wired into the patch panels just in time for the start of football
season.
Through
the spring of 2004, John worked on installing new audio wiring in
the TV studio control room, working around the many ongoing productions.
All of the old audio lines in the video tape equipment racks were
removed one-by-one and replaced with new permanent color-coded stereo
pair audio lines that were wired into a set of patchbays in the
engineering area. Multi-channel audio snakes were installed under
the control room floor to connect the patch panels in video tape
with two new 96-crosspoint patch panels that would be installed
in the audio control room over the summer when the studio was not
in use.
Over the summer months, John completed the audio rewiring project
in the control room, installing a new Soundcraft Series 2 audio
console, wiring the patch panels, and installing new racks and furniture.
He custom built all of the audio cables himself, including nearly a dozen 8-channel
audio snakes in various connector combinations that were installed
running from the console to the punch block connections under the
floor for the patch panels. As part of the project in the audio
control area, he also installed a digicart audio playback &
storage unit, and multiple LCD camera and program monitors above
the audio console.
Over
the summer of 2004 he also worked with the communication department's
Dr. Jackie Layng to design a new interview set, which he built with
the help of two students, Mike Thompson, and Mike McKeivier. The
old fabric flats were reupholstered while John designed and bulit new wood flats for the set,
which he and Thompson assembled and which Thompson and McKeivier
painted. John also installed new
carpeting on the stage riser and ran audio and video wiring underneath
the stage for later use. After the flats were primed and painted,
John built the truss structure that would hold the flats off of
the wall to allow access behind the set, and then he, Thomposon,
and McKeivier hung the flats over the course of a couple of days.
After he attached and painted the trim and wainscoting on the flats, the entire set was completed just in time for the start of fall
semester.
As part
of the studio renovation project, the communication department also
decided to purchase 2 new pneumatic studio camera pedestals and
fluid heads from Cartoni. The pedestals were set up in the studio
and two of the new Hitachi Z-3000 cameras that had formerly been
used on the remote truck were moved into the studio and installed
on the pedestals to provide an increased image quality from the
previous Hitachi Z-One cameras.
In January 2005, the department added a third Z-3000 camera and another Cartoni studio pedestal to the television studio, bringing the total number of cameras to four, including 3 on studio pedestals with teleprompters and a single Hitachi Z-One camera on a jib-mount. The additional new studio camera, which John assembeled and installed, allows more flexibility in live productions, enabling more than one set to be used at once. |